NEWS - Lana Čmajčanin - visual artist

I Will Never Talk About The War Again - Maribor

Performance of Alma Suljević in front of the Nikolay Oleynikov piece, opening of the exhibition at Färgfabriken, Stockholm, September 2011 (photo: Rena Rädle)

8 June 2012 - 30 August 2012

MMC KIBLA 
Maribor, Slovenia

Artists: Lana Čmajčanin, Chto Delat?, Igor Grubić, Adela Jušić, Nikolay Oleynikov, Shadow Museum/Jaroslav Supek, Alma Suljević

The exhibition I Will Never Talk about the War Again will be presented for the first time in Slovenia as a part of the programme created by KIBLA for the manifestation Maribor 2012: European Capital of Culture. The exhibition has been produced by KIBLA and Biro Beograd, with the support of the Ministry of Education, Science, Culture and Sport of the Republic Slovenia, Maribor 2012 Institute - European Capital of Culture and City Council of the Municipality of Maribor.
The exhibition I Will Never Talk about the War Again presents the works of artists from Bosnia and Herzegovina, Serbia, Slovenia, Croatia and Russia focused on critical social analysis and testimonies of violence and trauma connected with recent wars in the countries of the former Yugoslavia.
Under a heavy burden of wars, ethnic nationalisms and socioeconomic stratification processes, generated by neoliberal capitalism’s ideology, almost all states formed after the destruction of Yugoslavia suffer from neocolonial dependency imposed by global capital and permanent crisis at the European economic periphery. In such a constantly antagonistic social and political context there are certain requested positions in which testimonies of war trauma are represented, manifested and interpreted. That is why many representations in the field of cultural production and contemporary art don’t succeed to escape from stereotypes. 
The exhibition I Will Never Talk about the War Again deals with the question can contemporary artistic practice find a language with which it would be possible to speak politically about individual and collective war and post-war experiences, without slipping into exoticization? Is it possible to find an adequate artistic formula, and is it always necessary to create empathy in the process of understanding? Silence and amnesia are the most common reactions to trauma; does art in this sense actually also remain silent by using only the symbolic language of images and sounds, staying in the field of mediation and symbolism?

Curated by Vladan Jeremić

MMC KIBLA 

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Photo by Rena Rädle